St Andrews Pubs as Runway Looks

The streets of St Andrews are rife with iconic fashion moments. But they have nothing on the pubs.

The Central — Junya Watanabe 2017

The centre of attention, always in the spotlight. The warm-toned colour scheme of this outfit evokes that familiar feeling of knocking back a pint after a long day of pretending to study. The black and yellow tartan is like an homage to The Central’s familiar sign and the glint of the bar taps. The detailed fishnets call to mind the ornate carving on the bar and intricate ceiling design. Both Junya Watanabe and The Central’s interior design understand the charming effect created by combining red and yellow.

Aikmans — Gareth Pugh 2017

This look perfectly embodies the Aikman’s cellar: the heavy eye makeup would be perfect for protecting you from the light should you ever resurface. The heavy shoulder pads represent the compression of the downstairs seating, and the general unapproachability evokes the vibe you try to give when protecting your table from standing greedy onlookers.

The Criterion — Christopher John Rogers 2020

Pure decadence, heaven on earth, impeccable vibes. Clearly the best. This is exactly how you feel after gaining a seat at Criterion before leaving with an alcohol-induced blush of the same shade as the dress. If you’re ever lucky enough to get a booth inside, you’ll notice that they are also tartan.

The Rule — Christian Siriano 2020

The Rule tries to occupy that place between pub and club. This balance is exemplified by the combination of hat and dress, and the intriguing silhouette. If you go in the day, the vibes are probably a bit strange but if you go on the right night you may even have a good time. The same applies for wearing this look.

The Keys — Commes des Garçons 2015

If you try to go to The Keys, this is what the locals will do to you.

Bonus: The Lobster — Commes des Garçons 2017

Not a pub but you could see how long you can drink by it before you’re arrested.